The guys over at modernmechanix.com have a blog which is filled with interesting stories back from the old days.
Especially check out the photography section where for example you can read a story dateing back to november 1928 about the “penniless inventor” who got millions for the invention of the photomaton:
Categories: America · History of Photography · Magazine · Vintage
The Urban Legends Reference Pages gives some interesting background information on the “Human Statue of Liberty” which is a photograph by Mole & Thomas dateing back to ca. 1918. Around 18.000 people have been involved in the makeing of this “statue”.
For more”people pictures” go to the website of the Carl Hammer Gallery.
Categories: America · History of Photography · New York · Photography
The LoC and Flickr started a new cooperation:
From the LoC-blog:
If you’re reading this, then chances are you already know about Web 2.0. Even if you don’t know the term itself, you’re one of millions worldwide who are actively creating, sharing or benefiting from user-generated content that characterizes Web 2.0 phenomena.
As a communicator, I want to expand the reach of the Library and access to our magnificent collections as far and wide as possible. Of course, there are only so many hours in the day, so many staff in Library offices and so many dollars in the budget. Priorities have to be chosen that will most effectively advance our mission.
That’s why it is so exciting to let people know about the launch of a brand-new pilot project the Library of Congress is undertaking with Flickr, the enormously popular photo-sharing site that has been a Web 2.0 innovator. If all goes according to plan, the project will help address at least two major challenges: how to ensure better and better access to our collections, and how to ensure that we have the best possible information about those collections for the benefit of researchers and posterity. In many senses, we are looking to enhance our metadata (one of those Web 2.0 buzzwords that 90 percent of our readers could probably explain better than me).
The project is beginning somewhat modestly, but we hope to learn a lot from it. Out of some 14 million prints, photographs and other visual materials at the Library of Congress, more than 3,000 photos from two of our most popular collections are being made available on our new Flickr page, to include only images for which no copyright restrictions are known to exist.
The real magic comes when the power of the Flickr community takes over. We want people to tag, comment and make notes on the images, just like any other Flickr photo, which will benefit not only the community but also the collections themselves. For instance, many photos are missing key caption information such as where the photo was taken and who is pictured. If such information is collected via Flickr members, it can potentially enhance the quality of the bibliographic records for the images.
We’re also very excited that, as part of this pilot, Flickr has created a new publication model for publicly held photographic collections called “The Commons.” Flickr hopes—as do we—that the project will eventually capture the imagination and involvement of other public institutions, as well.
From the Library’s perspective, this pilot project is a statement about the power of the Web and user communities to help people better acquire information, knowledge and—most importantly—wisdom. One of our goals, frankly, is to learn as much as we can about that power simply through the process of making constructive use of it.
More information is available on the Library’s Web site here and on the FAQ page here.
And with that, gentlemen (and gentlewomen), start your tagging!
So far flickr is hosting two LoC-albums:
News in the 1910s: Walk back in time through the eyes of photographers who worked for the Bain News Service.
Enjoy this set of 1,500 photographs from a collection containing almost 40,000 glass negatives made ca. 1900-1920. The photographs document sports events, theater, celebrities, crime, strikes, disasters, and political activities, with a special emphasis on life in New York City.
and
1930s-40s in Colour: Photographers working for the U.S. government’s Farm Security Administration (FSA) and later the Office of War Information (OWI) captured life across the United States, including Puerto Rico and the Virgin Islands.
Explore images of rural areas and farm labor, as well as aspects of World War II mobilization, including factories, railroads, aviation training, and women working between 1939 and 1944.
Categories: America · Documentary · History of Photography · New York · Photography · Vintage
“In 1965 the group surrounding the sociologist Pierre Bourdieu identified the [photogaphic] documentation of family rituals as the ritual confirmation of the institution of the family itself, emphasizing the social function of taking photographs.” [1]
The occasions for family-photography are evolving out of its function. Photography in the family circle has to record the “good times” and special moments of a family’s biography. These are mainly weddings, birthdays, holiday trips, the kids, christmas and other parties.
The ‘classical’ way of collecting these douments was to put the family-photographs into an album. This album was limited in its public range. The access to it was strictly regulated. One needed to be an insider, an accepted member of the family itself or the close circle surrounding the family to be allowed to gaze at the family’s ‘holy shrine’.
Today things are different:
The ‘holy shrine’ is now public.
————————————–
[1] Kathrin Peters: Instant Images: The Recording, Distribution and Consumption of Reality Predestined by Digital Photography [link]
Categories: Books · Bourdieu · History of Photography · Media · Photography · Theory of Photography
Brassaï (1899–1984)
A Major Retrospective
Venue: Martin-Gropius-Bau
9 March to 28 May 2007Brassaï, who was born in 1899 in what was then the Hungarian town of Brassó, emigrated in 1920 to Berlin, where he studied at the Academy of Art in Charlottenburg and got to know artists such as Wassily Kandinsky, Oskar Kokoschka and László Moholy-Nagy. In 1924 he moved to Paris, where he began his career not as a photographer but as a journalist working mainly for German-language magazines. His friend André Kertész took photos to accompany his articles. It was his journalistic work that eventually led him to photography.
During this time he also took an interest in literature and sculpture. In Paris in 1932 he adopted the pseudonym of Brassaï, derived from the name of his home town.
The same year Brassaï published “Paris by Night”, a book that made him world-famous. The Museum of Modern Art in New York included his work in an exhibition entitled “Photography: 1839-1937”. Using a Voigtländer camera, he was one of the first to master the art of night-time photography.
[...]
From: Berliner Festspiele: Martin-Gropius-Bau, Brassaï (1899–1984)
Categories: Art · Berlin · Brassai · Exhibition · History of Photography · Photography · Retrospective
